The 264 Cru

a Dubai based music, arts, and culture collective

Filtering by Tag: Kev Fresh

Digiwaves | Podcasts of the UAE

The 264 Cru have been running its musical outputs online for just under the last year, covering a blend of two very important sonic spectrums. The initial podcast is known as The Comedown, released every Saturday and serves as a way to promote awareness to a variety of downtempo, chilled and eclectic sounds, mixed mainly by a selected body of avid music heads from across the UAE and beyond. It’s purpose is to provide meditation for listeners wishing to sooth their heads and smooth out those weary post weekend comedowns.

On the complete flipside to The Comedown, The 264 Cru established their second output of online sounds with the Booty Bangers series. Booty Bangers is a monthly mix that promotes only the loudest, most vivacious sounds the world has to offer. Booty Bangers is composed lovingly for The 264 Cru by a wealth of today's leading international bass heavyweights, and is designed for listeners as a pre party, turn up mix to get ready for the weekend ahead.

Whilst serving up these podcasts The 264 Cru has taken note of the many different online music outputs that Dubai has to offer. Some of these unique broadcasts are being used as a way to channel individual music nights and events who want to present their musical influences in a form that is accessible to all listeners locally and across the globe.

Some of the podcasts are created to help promote the people behind it and spread their influence, while others were created out of frustration towards the existing radio stations' cloney, commercial nature that lacks edge and variety. The frequency and regularity of these broadcasts is either weekly or twice a month, showing  an urgency for expression and a desire to create a difference.

We reached out to the heads behind each of these shows and asked them for some more insights as to why they do what they do and what their various goals are. We’ve selected some of the more poignant answers from each, to piece together this blog post and entice you to check them all out.


MOTELLACAST

Every week Mohammed Abood a.k.a DJ MoCity, one of the founders of The 264 Cru curates his very own weekly Mixcloud show for the many followers he has amassed worldwide. Initially inspired by his love of Nutella, Motella cast is described as “a delicious music spread for your head”, or more specifically, an eclectic mix of some of the worlds finest current beats and bass. Growing consistently over the past year or so, MoCity shares the music he's currently digging, playing and discovering and has had a string of high-profile as well as up-and-coming guest DJs including names such as Zed Bias, Alexander Nut, Tim Parker, Addison Groove, Chunky, Kutmah, Om Unit, Sarah Farina and that's just scratching the surface.

Who’s involved?

DJ MoCity (Music) and Emote (Graphics)

A sentence describing your podcast’s format

Fresh beats from across the globe, special guest appearances interviews and now, in-depth conversations covering special topics during my travels.

Motive: What was the catalyst for starting up your series? What did you initially set out to achieve?

Find new music, stay on top of my game, share other peoples favorite music and get new listeners.

What topics and/or music do you usually showcase in your podcasts?

Beats, World Music, Bass Music, Hip-Hop, all kinds of Indie Electronica and some local brews like Radyous and his eclectic selection.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

Massive development at high pace. Happy to be part of it in some way.

What’s next for you?

Hopefully get the show a slot on some established online radio station.

A new episode of Motellacast goes up each and every Wednesday and you can check it out by heading over to https://www.mixcloud.com/motellacast/

The Shady Shady Show

One of the earliest podcasts to start in the UAE alternative scene and is still broadcasting, albeit after a couple of years hiatus, is The Shady Shadow Show (SSS) run by the local respected DJ and nightlife reveller Shadi Megallaa.

With a format unlike any other, The SSS prides itself on its looseness, where the host and guests say what they want and play what they please. The live video broadcast via social media and live audio recording dictates an improvisational and spontaneous vibe, while also adding in the performance factor for a live audience in Shadi’s home.

Motive: What was the catalyst for starting up your series? What did you initially set out to achieve?

Initially I had been invited to play on my friend Salah Sadeq's The Crate platform. It went well & then we decided I'd have my own show, originally called The Shady Shadow. Back then it was every 6 weeks. After 4 Episodes I decided to call it quits. I had planned to start it back up at my record shop, but since the process was taking so long I brought it back as The Shadow Shadow Show & recorded it at my place. Nothing has been the same since. After changing the art direction, the flyers have become a huge part of the show.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

Dubai's alternative music scene has grown by leaps & bounds just in the last 3 years. More so this past year. Certain promoters, mainly The 264 Cru have broadened people's musical palettes & that is very important. Same goes for the efforts of Freshly Ground Sounds & The Other Side expanding on the live music scene which is still lacking. Analog Room has also done an amazing job in digging deeper into house/techno bookings & don't play it as safe as most other promoters & venues, when it comes to house music. The scene has grown a lot recently, but there’s always room for improvement.

What are your thoughts on traditional radio (local and global)?

Sadly, traditional radio both local & global is dead. Its very uninspiring & doesn't cover a broad range of music. There aren't enough concept radio shows. How many top 40 hits can one listen to before wanting to jump off a bridge & into a pit of hungry gators. There are tons of great podcasts around the world that serve the same purpose that traditional radio once served.

Check out the most recent episode right here... 

Every two weeks you can tune in to the listen to the The Shady Shady Show head over to https://www.mixcloud.com/Shadi_Megallaa/ or watch the recap videos at facebook.com/fibrepassion/- and keep your eyes and ears peeled for Dubai’s new record shop ‘The Flipside’ which is coming to a warehouse near you.

Fresh Select

From the oldest to the newest or freshest we should say, is one of our own The 264 Cru members’ Kev Fresh, with his podcast aptly named Fresh Select. A weekly round up of new music that he is feeling at the moment as well as taking the listeners back to old gems and favorites that he has rediscovered. The podcast is run solely by Kev himself and began in May.

Motive: What was the catalyst for starting up your series? What did you initially set out to achieve?

My friend MoCity had his 1 year anniversary for his podcast Motellacast and it got me totally fired up to do something similar and commit to making something creative happen every week. I had wanted to do something similar for ages but tended to over think how hard it would be to make a weekly mix of new music. Mo showed how it was just about getting it done and putting something out each week.

The other major motivation was to have place where I could just play whatever music I was feeling and not be constrained by stuff that works for the dancefloor or what the crowd might want. I have always loved such a wide range of music i find it hard to have it make sense in a DJ set, but with the podcast/mixcast I can just do whatever I want, and people either like it or don't. It's great to have a creative outlet and spread good music to as many people as possible!

What topics and/or music do you usually showcase in your podcasts?

I don't really have a format. I just take in a lot of music over the course of the week from across the internet and then just pull together my fav 15-20 tracks. But there usually tends to be a few beats/bass heavy tunes, some hip hop, some more left-field electronica and some indie dance or disco vibes.

What are your thoughts on traditional radio (local and global)?

I honestly haven't listened to traditional radio on a regular basis for over 10 years or more. I think there is still a place for it, but broadcasting music via the radio waves is totally inefficient and massively limits the size of the audience.

The internet and the freedom it presents for finding whatever music I like, from anywhere I like, at whatever time I like, makes a lot of radio obsolete.

But I can still see a place for local radio in it's ability to bring people together and create a central point for a scene or a group of scenes. However any radio station now needs to have an online aspect.

As far as the local radio I have heard, it is total rubbish, pop music, censored, mainstream stuff. Just copy-paste corporate style radio that you could hear anywhere around the world. Except here I think they only have about 20 tunes on repeat. I feel sorry for the kids that grow up here with that as their only option.

Check out the most recent episode right here... 

Catch the Fresh Select show every monday over at https://www.mixcloud.com/kevfresh/

Bassworx DXB Radio Show

One of Dubai’s veterans of the Drum and Bass scene Tim Woodstock, runs a weekly show which started early on in 2016. An informal radio station featuring a mix of Drum and Bass and Jungle from a selection of local artists Woodle and Trigger being the main residents, with a wealth of guests on rotation which include Mach4, Sya One, Espace, Cruz, JAB, Militan, Somalie and many others. The shows are aired live on Lazerfm.com and later the recordings are uploaded to Mixcloud.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

It's a never ending roller-coaster. Promoters, events and punters come and go, and the "scene" evolves with it.

Who else in Dubai do you think is on a similar mission to what you’re trying to achieve? Is there a partnership/collaboration?

We've always had strong ties with Globalfunk and Deep Crates Cartel. Past collaborations have been successful and we're working on plans for later in 2016.

What are your thoughts on traditional radio (local and global)?

Local radio is in dire need of variety. The vicious cycle of pop / house music fueling a crowd with equally narrow tastes is frustrating to say the least.

What’s next for you?

Keeping on keeping on.

Check out the most recent episode right here... 

Catch Bassworx Radio show evey week over at www.mixcloud.com/BASSWORX_DXB/

Tea With Culture

Twice a month Hind Mezaina artist and founder of The Culturist blog (theculturist.com) along with Wael Hattar who is an artist and founder of Young Collectors Collective together form the Tea With Culture podcast where they discuss the art scene in the UAE, including reviews and thoughts on specific films or exhibitions, giving their recommendations on art and culture events and interviewing people from the scene.

Motive: What was the catalyst for starting up your series? What did you initially set out to achieve?

Share the conversations Wael and I have when we get together with a wider audience. We have lots of opinions/thoughts on the arts and culture scene in the UAE and we decided it was something we wanted to share to create a discussion. We were tired of the fluffy like art reviews we normally read, or the self promotional pieces and the lack of thoughtful criticism when it comes to the culture scene in the UAE in the local media (radio, newspaper, magazines).

What are your thoughts on traditional radio (local and global)?

Local radio [is] terrible. Dubai Eye 103.8 feels like it is dumbed-down radio and isn't interested in critical discussions on the shows that are about art/culture/film. Also it's 'very white' and not interested in being diverse with their guests, topics, which doesn't represent the city.

As for the local music channels, they all play the same songs. No one is interested in seeking out new music and no interest in playing music by local/regional musicians. The only time I hear music by local/regional musicians is on the show co-presented by TripleW once a week, late night on Dubai Eye 103.8. Every time I listen to that show, I wonder why can't we hear this music during the day. It's as good as, [or] even better than the so called "radio friendly" commercial songs.

I listen to a handful of radio stations outside the UAE and lately listen to more podcasts, e.g. NPR, Monocle Radio, BBC 6. There are some intelligent well programmed shows on traditional radio and it's a shame there's no equivalent in the UAE.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

I would replace "alternative music scene" with "independent music scene". I don't believe there's an "alternative" music scene in the UAE. It's a word I feel that gets misused, just like "underground".

There has been an increase in independent musicians, singers, music promoters that are trying to promote local talent or fly in smaller acts that aren't deemed 'commercial'. The local music scene has been developing for more than 10 years and I get frustrated when there's only acknowledgement made to what is currently made and presented, as it's never been done. Part of it is people come and go, or many with short-term memories and people that like to be promoted as the next big thing.

Check out the most recent episode right here... 

Head over to - theculturist.com to keep up to date with Hind and Wael’s artistic endevours

The Dukkan Show

Found on iTunes each and every week The Dukkan Show hosted by local MCs and creatives Toofless, OT and Jibberish focuses on spirited discussion and celebrates friendships and bonds created in tight-knit neighborhoods such as the ones found in the region, namely centered around the local grocery shop or ‘Dukkan’. The hosts tackle a wide range of topics from ‘Cultural Pollination’ to Zakat, poetry, and childhood experiences.

What topics and/or music do you usually showcase in your podcasts?

There is neither an agenda nor format for the topics, as long as it interests us personally and collectively.  As far as the music is concerned, the segment is highly essential and is a reflection of the Dukkan identity; we don’t believe in putting this segment in a box, in other words there is no specific genre that identifies the Dukkan. With that being said, the music is chosen very carefully with an objective to create an avant-garde experience and heal our listeners, we firmly believe in the power of music and poetry because it’s been part of lives since we were young. Another factor, is to break boundaries and showcase music that traditional radio won’t play and have a message that is of positive substance, the music we play ties all cultures, races, religions, nationalities and backgrounds. In a nutshell, it’s all about putting out good music and good vibes.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

Dubai’s alternative music scene was always there, but remained under the radar. In recent years it has definitely emerged and solidified its presence, and it’s all because of the consistencies of the people that made it happen, we are keen to continue this legacy forward, and add our flavor to it.

Who else in Dubai do you think is on a similar mission to what you’re trying to achieve? Is there a partnership/collaboration?

We cannot deny collectives such as DUST, OHM, yourselves (The 264 Cru), Deep Crates Cartel, Bad House Party and other true players that contributed to the scene’s development like DJ Solo (whom is highly underrated) Danny Neville, Rony Jaxx and many more that kept It flowing. The Dukkan was/is always involved in the scene’s development, whether it’s behind the scenes, support or engaging in events that truly care to push the scene forward such as recent collaborations with RBMA and The Future of the UAE Music Scene panel, which was hosted by Brown Book at the Intersect by Lexus, amongst many more. And we are always down to collaborate and partner with others that believe in a similar vision.

What’s next for you?

The main focus is to elevate the quality of the show. There are a few plans in the pipeline, but at the moment it’s about tailoring the show in terms of concepts, design, quality, and consistency. Once all that is done, some announcement will follow so stay tuned for that. Another exciting project being embarked on is the introduction of Dukkan’s Bidoun band, showcasing Toofless and Jibberish backed by a highly skilled band performing live shows.

Check out the most recent episode right here... 

Head over to http://www.dukkanshow.com to find out more

Wasta Radio

Wasta Radio is a weekly well-balanced mix of everything between the latest and trending, non-specific genres that appeal to the current youth, with a handpicked Top 10 selection from leading music blogs, run by MC Hype, Firas Al-Bakrj and Sydney Miranda.

Motive: What was the catalyst for starting up your series? What did you initially set out to achieve?

Recently me and a couple friends were driving around in my car and noticed something odd after I got stuck in Dubai traffic. As I tried to skip the songs on the radio the same songs would be playing different stations when I switched. It was very frustrating and it turns out that everyone can relate to it. I started to notice that there wasn't a flow to music selection on radio so I set off to making my own unique experience that others can enjoy and relate to with Wasta Radio.

How has the Dubai and the UAE as a whole alternative music scene developed in recent years?

There are only a few places to go out here in Dubai where you can enjoy your Alternative fix. However, it is growing year by year which means the awareness is there and that's what we hope to bring to the community.

What are your thoughts on traditional radio (local and global)?

Some people like them and some people don't. We want to serve the people with something new and fresh that they can enjoy.

What’s next for you?

We pride ourselves in hosting live podcast events, our last one was at Cafe Rider and we really enjoy the audience interactions and watching the good vibes grow. Keep a lookout on our next event.

Check out the most recent episode right here... 

Check out Wasta Radio here at Mixcloud - www.mixcloud.com/WastaRadio/

Magnetic Fields 2015 | Festival Review

In December 2015, The 264 Cru were invited to play at Magnetic Fields Festival in India and we were thrilled to be the opening act on Day 1 at the Heineken Desert Disco stage. The festival promised to be 3 days of music, art, food and magical connections in a 17th century palace in Shekhawati, Rajasthan.

We had a sick 3 days there, and needless to say this was an adventure and a shit load of fun! With some of us having attended the previous Magnetic Fields editions and some of us being newbies, we hope to give you different perspectives to make it easier for you to make a decision about Magnetic Fields 2016. Keep reading for some of our top tips, favourite moments and overall experience.

Transport/time from airport

We flew into Delhi so our transport perspective in this article will be from there. But for details around getting to the festival that is covered in depth HERE. From our experience, the drive will take a little longer than you might think, so allow plenty of time to get to the festival from the airport or major city you leave from. Indian roads are a little crazy, so definitely don’t base your timing on assumptions. The distance might not be that far on google maps, but Google can’t see all the cars, tuk tuk’s, trucks, taxi’s, wandering cows and random transport devices (think horse and cart) that are sharing the roads.

TIP: Grab a sim card from one of the local telco providers Vodafone or Airtel and load up on a bunch of data. 3G is pretty good even out at the festival. You know you want to be connected. It’s super cheap and pretty straightforward to get setup, you can do this right in the arrivals lounge at the Airport. Don’t leave the arrivals lounge till you are totally sorted (including a bathroom stop before you hit the road) as you will not be able to go back inside the airport, no exceptions.

LOCATION & ACCOMMODATION

The first thing that hits you when you arrive at the Alsisar Mahal (the 17th Century Palace) is that the festival site is right in the heart of the local village, like we mean it’s right in the middle! Unlike most festivals you may have been to that are out in the middle of nowhere, on a beach or in a field, far from the public, at Magnetic Fields you are smack bang in the middle of a small village and its people. This makes for a special and unique experience as you get to interact with the locals, eat great food and get a taste for small town India. We can only imagine what they think of 2,000 party people descending on their usually quiet village and partying at all hours for 3 days!

The festival accommodation is broken into 2 main zones. The main area is the Mahal itself where the stages are set up and also some of the accommodation (for the ballers). If your budget permits, getting a room in the Mahal is definitely a good move and makes for a comfy stay, but you are closer to the big stages (think morning/afternoon sound checks - they can make for quite a rude awakening). 

For the more budget festival goer, the other accommodation options are in the Bedouin tent village which has the pre set up ‘luxury’ tents, with electricity, running water and even a bathroom attached! Other than that, there is also an area where you can bring your own tent and make your own space. Prices vary for each accommodation option, see HERE for more details.

Food and beverages

The tent village was separated from the main festival site by a small street/alley that lead through the back part of the village. This area was a public space so a lot was going on there. The festival had worked with locals to have them set up small stalls selling everything from epic egg omelettes, curries, water bottles, chai and cigarettes. So this was a super cheap way to get some decent supplies and food and also directly benefit the local people. Aside from this, the festival had a good offering of food and beverages within the palace; wood fire pizza, waffles, tasty curries, wraps, roti etc. They even had an authentic ‘chai wala’ near the entrance of the palace and fresh coconut water and ice cream vendors at the desert stage! All these were all priced reasonably well (especially for non-Indian incomes) and were a good option for those hungover 4pm lunches.

As far as alcoholic beverages go, the prices in the festival were definitely higher than if you bought booze outside. So perhaps bring a few of your own supplies and “top up” back at your tent or room, but don’t tell anyone we told you that ;) Also as far as other party favors go, we advise extreme discretion in public spaces with any of your synthetic or herbal remedies, as there was a strong presence of local law enforcement.

TIP: All items within the festival site (apart from merchandise/clothing) had to be bought via ‘festival money’. This is non-refundable, so we suggest you buy them on a day-to-day basis to avoid being stuck with unnecessary monopoly money at the end of the festival!

TIP: Go exploring around the village and meet the locals. Aside from the street full of treats, some of the local houses had opened themselves up to buy goods and food! We stopped into a small family place and had the most amazing lunch right in their shared space (for super cheap) - tasty homemade Rajasthani food right from mum’s kitchen, YUM!
TIP: make sure to bring a good supply of rupees in smaller denominations, don’t be trying to drop 1000 rupee notes on the locals, they won’t have change and will give you the death stare!

Festival Experience

The festival was broken into 3 main performance areas: The Heineken Desert Disco stage (located in the Bedouin Village), The South Stage and the Red Bull Music Academy North Stage, both of which were located in the palace.

The programming was simple, yet effective: 2-6pm acts would be at the Desert Disco stage for people to enjoy the sunshine tunes in the desert, followed by the bands and majority of the live acts on the largest South Stage, followed by the more dance oriented acts at the RBMA North Stage.

One really cool aspect of the programming was that they only ran one stage at a time. For some, this might seem weird and not offer more options if you are not feeling the current act, but we thought this was a great way to program the festival for several reasons; firstly, it meant that you didn’t feel like you were missing out on any acts. Secondly, it also meant that you avoided that schizophrenic running about the festival trying to see everything, and lastly, it guaranteed that each act had an audience to play to! This also kept the crowd together, giving you the opportunity to get to know each other, reinforcing the intimate feeling of the festival.  

There must have been around 2,000 people max, which made for an intimate experience with some of the best people on earth. You had a sense that if you were there, you knew what was up! Smiles all around, good vibes, good people. This also made the event special, because at no point did you feel it was over packed or crazy busy, but you still had a big crowd getting into the music and keeping up the vibes HARD till wee hours of the morning.

TIP: Each night, there is a secret pop up after party at undisclosed locations in the palace. So once the last main stage finishes up around 3-4am, hold tight, cause shit is about to pop off somewhere else in the palace!

As far as production goes, we were super impressed with the level and quality of production they had at all zones. From the DJ gear to the sound, lighting and visuals, you could have been at any festival in Europe or North America, which is pretty impressive based on the location and constraints of the site! Check the photos HERE to get a vibe for the set up. We were totally stoked on the epic scale of projection video mapping of the palace above the North Stage and the massive LED visuals screens at the South stage - the content, as well as the size, left us with that otherworldly feeling at the end of every set. Well done mixtape team! (http://www.mixtapelive.in)

Apart from being joyfully overwhelmed by sound and visuals, you had freedom to roam around the palace and explore its history and architecture, involve yourself in activities like the treasure hunt, yoga sessions and star gazing, or peruse the different vendor stalls that were set up in the ‘bazaar’ - from merchandise, to tattooing & henna, to organic immune boosting juices!

Favorite international acts

We thought the music programming this year was A-grade (big up MF team), and so in no particular order, we wanted to list our favorite international acts. Although all the bookings were great, these are the ones that left a lasting impression on us:

Hunee & Antal

The headliners on the first night at the RBMA stage, Hunee & Antal came packed with an arsenal of disco & house bangers. From the moment they came on to the time they dropped their last tune, you could just see people moving non-stop, with massive grins all around. A great mix of disco, latin, house edits and feel good music to close out the North Stage on first night of the festival in a spectacular fashion.

Shigeto

A favorite of many at The 264 Cru, Shigeto was a highlight of the festival and we’re pretty sure most festival goers would agree with us. Sitting on stage between his drumkit and live equipment, strategically nestled in the center of the massive LED visuals, Shigeto transported us to other realms with his meticulous jazz-like drumming flawlessly mixed in with his use of live electronics. It left us in awe of his astounding ability to create such a rich sonic and percussive landscape, right in front of us.

Mumdance

Mumdance stepped up, smashed the dance floor and left us all reeling - straight bass bin machine gunna style. This grime veteran, who is infamous for incorporating beatless grime atmospheres into his mixes and productions, served up a deadly dose of hard-hitting UK grime, dutty dance floor riddims and signature Mumdance edits and soundscapes to make the crowd move so hard, one would have thought it was the last dance of Zion.

Objekt

No one can construct a set like Objekt, and we witnessed that first hand. Seamlessly mixing everything from electro, to different forms of techno and even IDM, his set was like a journey through the galaxies of electronica. If that wasn’t enough, the visual projection mapping on the palace walls above were exceptionally psychedelic during his set - it felt like you were flying through space. Private space agencies, take note - this man should be in your control room providing the soundtrack for your private space voyages.

Garden City Movement

Upbeat, energetic and melodic, the Tel Aviv based Garden City Movement were one of the most exciting bands we witnessed at the festival. The 4 man live band played a repertoire of indie soaked electronica, with dreamy harmonies layered with driving yet subtle 2-step electronic beats. As they gain more and more recognition worldwide, this is a band to watch in 2016. We also enjoyed breaking bread with them and dominating them at table tennis in the artist lounge :p

Hope to see you guys soon -  respect!

Kutmah

Last but in no sense the least, the homie Justin aka KUTMAH is one you can trust to get people stomping even after they have raged non-stop for 2 straight days. Any other DJ may have had a hard time in playing the closing set of the festival, but KUTMAH’s selection of banging hip-hop and uptempo beat music sprinkled with other leftfield tunes from his digital crates, took us from groggy head nodding to full on rage mode within minutes. The perfect 90 minutes you could have asked for to catapult you into the rest of the night.

TIP: Bring warm clothes! Shit gets super cold at night, like 5°C! It’s nice and toasty warm during the day but temperature drops really quick once the sun goes down. Don’t get caught out cause this could really ruin your whole party. This also extends to sleeping, bring an extra blanket or sweaters if you can. Stay fresh, but at the same time, stay cozy!

Favorite Moments

DJ MoCity

Not sleeping, not spending time alone, being with my India family and my extended international family from Istanbul to Kuala Lumpur representing with The 264 Cru! Making new friends, having the freedom not to look at my work emails and ultimately just a few good days of pure ratchetness with amazing music!! Each and every after party had a special unique experience and feeling that it generated. The music was also diverse at every party, trap to footwork on the opening night by the Rudoh and _RHL, to Resident Advisor's Dungeon Party with Soul Clap’s Bamboozle and finally ending it with New Delhi’s audio visual collective BLOT with their amazing visual installations in the garden.

C.O.B

Stumbling out of my tent on Sunday afternoon, wrecked as balls, to be greeted by the sweet sounds of roots and dub thanks to India’s very own reggae kingpin, Delhi Sultanate. I personally cannot go more than a few days without my dose of roots reggae, so this is EXACTLY what I needed. A strictly 45s set of classics and deep cuts, Delhi Sultanate was the perfect antidote to my poison ridden body. Moreover, he was promoting his Bass Foundation Roots Sound System initiative, which was extremely inspiring and stays true to the ethos of Jamaican soundsystem culture; no sponsors, no venues, no corporate BS - all you need is a soundsystem and selectas, and the skankers and vibes will follow.

Shortly after his sundowner set, I went to contribute to the cause and returned with a DOPE Bass Foundation Roots hoodie - I sported that for the rest of the day/night.

Much love and respect. Jah!

Kev Fresh

Kev has been missing since the festival - we think he’s still in Alsisar looking for that post-party. Not sure he got the memo, but we know he had many memorable moments that are safely locked up deep in his subconscious.

Closing Statement

Overall, we want to thank Magnetic Fields for inviting us to come and play - we had a great time, the hospitality was on point and the festival offerings were right up our alley. With some of us having attended previous MF editions, we think the management has done a great job of managing the growth of the festival from 700 people to 2000 people in just 3 years, while keeping up the vibe and continuously adding to and improving the festival in all aspects.

Only thing we’d request the team to incorporate for next year is a third wave coffee vendor - we’re big on our coffee, so that would be icing on the cake!

Much love to the Magnetic Fields team and well done! Hope to see you again in 2016 with the Dubai massive.

Peace,

The 264 Cru

Written by: Kevin Mckernon (Kev Fresh), Rishabh Chadha (C.O.B) & Mohammed Abood (DJ MoCity)

Photography by: artfoto studiosNeville Sukhiav, & Kevin Mckernon